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Guitarists are used to running two cables in and out of stereo pedals so if you buy the M300 and want to run it stereo, make sure you buy two sets of TRS splitter cables so you can connect to your other gear.įind out more about TRS cables in this Guide on Audio and Data Cables for Guitarists. While TRS cables are a very clean and tidy way to run a stereo rig, it isn’t very common with guitar pedals. Then you need to run TRS cables to and from the M300. To run it as a stereo pedal, you first need to set an internal switch to stereo. Unlike other reverb pedals which give you two inputs and two outputs, the M300 only gives you one of each. The M300 is a stereo pedal although it might not look it at first glance. As reverb will usually be one of the last effects used, if you run a stereo rig and use other stereo pedals, you will want to make sure you get a stereo reverb pedal. But it does mean there are fewer buttons and knobs to deal with so it’s a nice feature.įor many guitarists, it’s pretty important for a reverb pedal to accept a stereo input and output. While that sounds handy, I don’t really see many situations where it would be important to change reverb types in a song. Pushing down on the Tone knob does mean you could potentially switch between different reverbs using your foot rather than having to bend down and use your hand. The three LEDs in the middle will cycle through the six reverb types which is a nice way to instantly see what type of reverb is selected. You select the type of reverb you want by pushing the Tone knob down. Optional expression pedal to blend between two settings of your choiceĪs you would expect from a pedal with only three control knobs, it’s very easy to use the M300 Reverb.Cycle through the reverb types by pushing the tone knob.Stereo mode available by setting an internal switch and using TRS cables.Wet Mode: only sends the wet signal to your amp.True Bypass or Trails Bypass modes with 100% analog dry path.Six reverb types: Plate, Spring, Epic, Mod, Room, Pad.Here are the main features worth mentioning:
#Mxr reverb dry signal path full#
Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths.ĩ.10.1 Related Guides and Lessons: MXR M300 Reverb FeaturesĬheck out the price and full details of the M300 Reverb here. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale.Ĩ.
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Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian).ħ. Minor Scale: Quantized 1v/octave to the minor scale.Ħ. Chromatic Scale: Quantized 1v/octave to the chromatic scale.ĥ. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.Ĥ. The “Drag” will lag behind the knob or cv changes, but then quickly catch up.ģ. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. Unquantized: Smooth, unquantized response over the operating rangeĢ. The LED will change colors indicating which mode you are in.ġ.
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The Modes control changes the way the Drag control functions.
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